Nevertheless The Depression became Juno’s regular hangout. You could drop in on any night and there’d always be something going on. The players on the circuit figured out pretty quick that there now was another port of call on the long trek from Toronto to Vancouver besides Winnipeg, Regina and Edmonton. The scene was so small yet exciting that a basement could be the centre of the world.

At The Depression Juno got that vaguely Magic vibe she’d felt in the air this past year or so more strongly than at any other coffee house, even when people were only playing chess or checkers. Comedy night soon started being a part of events, and folks seemed to come down with their guitars from all over the mountains for the auditions on Wednesday night. And obviously there was Joni Anderson. She and Peter Elbling were the house acts and would open for players passing through, and on the few weekends when there were no guests they’d feature themselves. Juno could feel Joni getting better every time, by the stinging on the back of her neck and the concentrated elasticity of the air. Joni sure seemed to like Judy Collins’s choices. Besides Maid Of Constant Sorrow she often did The Rising Of The Moon. In between she’d play some other traditional songs and some protest songs, and some traditional protest songs. When Johnny Comes Marching Home she sang a lot. But everyone got big into the anti-war vibe.